The theatrical performances of Myanmar are well known and still alive in that part of the world. In spite of the repressive military regime, dating back to the immediate aftermath of World War II, art, in various forms, continue to be popular. It is the one and only means of consolation for Myanmar’s inhabitants. The people’s craving for freedom from the shackles of military dictatorship is presently being dramatically enacted, through the medium of dance and music, though with considerable caution and a measure of subtlety. Pwe (dance) and drama have become the highlights of tourism, one of the most famous of which is called the Nat Pwe or Spirit Dance. Amusements, such as these, represent the philosophy and culture of the people.

Theatrical performances have taken a big slice out of time, in the daily routine of people’s activities, as far as pwes and marionette shows are concerned. Important occasions, (religious and social) are climaxed by such performances, which have become a part of life for the people of Myanmar.

There is a pwe celebration when a baby is born, during a naming ceremony, marriage, or even in the event of a divorce; in a business speculation, in the course of a building construction, and when monasteries and pagodas are dedicated. All aspects of life are characterized by pwe performances, and strange as it may seem, there is a pwe even when a person dies. Marionette shows continue to be one of the most salient features of entertainment, both for tourists and non-tourists.

Music consists of a circle of drums, gongs that chime, bamboo clappers, castanets and cymbals, all of which present a unique orchestra, Musical instruments consist of bamboo flutes, violins and cup-shaped bells. Jesters and vocalists generally accompany performances.

There are interesting art galleries and collection of books in Myanmar. The glittering spire of the Shwedagon Pagoda is a “must” for tourists.

When Myanmar used to be a British Colony, it was considered as one of the most productive and artistic countries of the East. Presently, the military dictatorship has not banned the cultural aspects of Myanmar. This is because the generals that rule the country are themselves enamored of the pwe performances and has so far encouraged their continuance, in order to suit their taste and convenience.

The people of Myanmar are hospitable. There is a highly educated class of people, particularly in urban areas, that are actively engaged in an effort to return to democracy, as it used to be when it was part of the British Empire.